Tags
letting go, painting concept from start to finish, struggling with a painting, Timeout for Art Listen to Yourself
Hi from Mindo Proper (Ecuador)
Julie and I have made a fast trip to Mindo while the mountain road is open, though the road graders have cleared dozens of mud slides, and many of them were HUGE. The roads between their home and town are sloppy and un-passable unless one is in a four-wheel drive. We are in town to buy supplies and return while there is still light. It’s been raining since noon, and I predict more mudslides. The roads are ugly, and I am amazed that some of the large landslides have been cleared!
With a 30-hour power outage, some of the items in the refrigerator/freezer were questionable, and we were out of staples like garlic, onions, spinach, eggs etc. The kitchens will be well stocked when we return! (Their car had been in the shop for two months, and they had just retrieved it (and me) from Quito and returned Saturday evening.)
And then the rains came pouring down.And down.
And down.
Most of the timeout for Art was written last week, so now here’s the rest of the post!
Z

June 2012 – Post Painting Competition at El Matal Ecuador, when trees and boat shelters lined El Matal’s ample beach.
“Someone else’s vision will never be as good as your own vision of your self. Live and die with it ’cause in the end it’s all you have. Lose it and you lose yourself and everything else. I should have listened to myself.”
― Georgia O’Keeffe

While I photographed the young artists at work, these skulls caught my attention in 2012. They patiently awaited in incubation…
Thanks for your feedback on the ‘Zebra-Energy’ (ZENnergy) painting! I treasured every comment and critique! While answering the comments, I realized that you’ve all earned a more in-depth explanation of the creative process of this particular painting.
The inspiration has been tap tap tapping at my senses for years at nearby Playa El Matal, where the beach is quickly vanishing. The skulls first tweaked my attention from the young artist who was painting a nearby post, and a year later I photographed them again. I worked out a concept on paper while having lunch in town.

The skulls caught my attention again in July 2013, and I tossed around ideas on paper while waiting on lunch.
Another nine or so months passed, and I sometimes glanced at the sketches and thought, “I really need to bring you to life!”
After finishing the Punta Ballena mural, I used a remnant of canvas that seemed to ask, ‘What about me?’
I drew the skull and floated the darks and lights in loose watercolor style; after the washes dried, carefully-painted stripes helped to create the illusion of depth, especially where they wrapped around the horns. Strong waves of background colors represent the movement of air on a hot sunny day.
A white halo separated the skull from the colors. I wondered,“Should that band be tinted with color, or should it be left white?”
We reached a stalemate. For the next week I worked on a project in town (hand-painted floor) and glanced at the painting whenever I walked through the studio. With a fresh eye, I strengthened the background to add more energy and movement to the composition.
I wanted more detail in the skull but could not find the old reference photos. I continued to question how to marry the skull to the background; the white halo/band was too stark: “What am I going to do with you?”
A soft halo of yellow seemed wrong. Contrasting perpendicular lines thought the yellow choked the flow of energy. I strengthened the yellow and lost the contrast; I pushed the yellow toward orange then wondered if purple or blue might work better – (complimentary colors of the oranges and yellows.)
I pondered the mola effect and thought that the lines would detract from the flow of warm colors; I photographed the painting and experimented with lines on the computer image. I rejected the idea.
We stared at each other. I searched again and found the original photo from July of last year!
I studied other photos of skulls then studied my original photo. I repainted almost the entire skull, strengthened and warmed the darks. The warmer colors in the skull took away its power. I painted it again with cooler shadows.
About that time I stopped fighting it, and the details landed where they belonged. The colors worked, the yellow band of color flowed with ripples of movement around the skull. The mola lines were mandatory – an obligation,
and I became absorbed in the flow of details until – POOF!- it was finished!
Would anyone know of that inner struggle when looking at this painting? It makes me think of a song by Johnny Lang, Second Guessing.
Happy creating, everyone! Sometimes we have to stop second guessing, listen to our own unique voice and just let things flow!
Z
Isn’t that the way…sometimes what seems – in the moment – effortless, as if a miracle, on reflection actually took much reflection, contemplation, research and down-right hard work! Yet when all of it comes together so successfully in the end, it’s sometimes easy to forget the struggle, and just feel the magic of it! Even the “flow” comes from all the study, practice and experience to that point. So easy it is sometimes to hand it all away, saying, “I don’t know where this came from!” Lovely post, Lisa!
Your zebra, Z is a great paradigm of someone listening to their own unique voice, giving birth to this beautiful beautiful beautiful work!
Meantime… keep safe and well! 🙂 xx
What an exciting life you lead! Exciting and frustrating at times, I gather?
It seems like there were lots of internal landslides to clear away before you could see the path to this painting.
ha! you are so right! hopefully we can always find a way to see positive results from life’s hurdles and landslides! how’s the weather over there? i’ve been online so little – all i’ve noted is the horrible disaster in the balkans.
Weather wise we are reasonably okay. Nothing as bad as the poor Balkans region.
That really was a gestation period before the birth happened, and what a beautiful creation, the Mola lines are perfect.
I find myself speechless at the exquisite gifts you possess Lisa. This was a fascinating post. 🙂
Awesome piece Z! Wow – the energy of the lines and fusion of color makes this a very powerful vision. I love how your eyes see what many may not even glance at, not only do you see a vision but you use it to transform 2-dimensional into 3-D fascination. Love it! So sorry to hear how difficult the rainy season has been this year, take care ~
I appreciate you giving us the back story, Lisa.A great reminder to us about knowing when to stop the second guessing and start listening to your own voice being part of the process. But look at the results. Your final painting with the mola effect just popped it out. It’s your unique style. No one else’ s. Hope things get back to normal soon for you and your friends in Mindo. And now you have food. 🙂
Lisa on matter what the difficulties you encounter, you shine like the sun coming from behind the clouds, you shine your light. This is inspirational, truly leading by example._/\_
Lovely as always!!!
Now I’m going to play a game with you! What I saw in this painting, I still can see, even after your explanation, and even after it becoming quite clear what it “is”. But I’m not going to tell you for a while. Look at it with new eyes, and see what you see!
As for all the rest of it — thank goodness for road graders! And garlic and onions, and vehicles out of the shop. They’re all part of life, too, and an important part — they help to support us while we’re creatively engaged!
hey
am up for a fast internet session and back to the property. we had a lot of rain last night but the roads are/were open…
i think i know exactly what you saw and am a bit amused that you looked at it three times before seeing the ‘positive’ images and not the negative image.. now every time i look at it, i see it through your eyes.. i think..
ditto for ms o’keeffee’s floral images, especially the closeups…
am i on the right track?
z
You surely are, my friend. 😉 Didn’t want to explain it here, just to save you all the spam you’d get with people looking for not-zebra!
hey
it’s great to be online at the same time w/you! hope all is well there in texas.. looks like the temps are warming up!
the el nino news has finally reached most of the people in ecuador. there must have been some news headline, as now everyone that i see is warning me!
thanks for all that you do for so many people!
z
It’s fantastic to be part of your creative path. So interesting to learn about the whole process from your first noticed the skulls till the final painting. I think it’s an amazing painting, so rich in details, and with those glowing, warm colours.
Love your work and your thoughts!