The Lovely Masked Water-Tyrant

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Ecuador art, Masked Water Tyrant, One Bird At A Time, poza honda ecuador, Watercolor of birds

Masked Water-Tyrant – Fluvicola nengeta

“I never for a day gave up listening to the songs of our birds, or watching their peculiar habits, or delineating them in the best way I could. ” John James Audubon

Poza Honda Ecuador – These highly-active and perpetually-happy Masked Water-Tyrants served as good-will ambassadors in every location I’ve lived in Ecuador.  Attired year ’round in crisp white and black/brown, they chirp, chatter, dance and build nests – always near the water.   At Casa Loca along Rio Jama, they foraged along the mud flats at low tide;  in Mindo they nested in locations just above the water, and now at Poza Honda they thrive in an ever-changing playground of water hyacinths.

While I worked on the Common Tody Flycatcher study, the Water-Tyrants tolerated my presence;  ignoring the artist, they frolicked and provided ample poses for my growing collection of photos.      Painting these birds would be challenging yet rewarding.

Masked Water Tyrants – Watercolor in progress by Lisa Brunetti

Working at night from reference photos, I also worked during the day by the water’s edge.    The bi-polar moods of the weather often sent me scampering up the hill to protect the painting!

Just as I began the watercolor wash, the skies began to baptize the painting!

Within a week, water levels leaped to maximum levels, which brought those handsome birds (and the invasive water hyacinths) closer and closer to the human’s turf.  They provided a grand assortment of poses – as if to benefit no one except the human that studied them! 

Trust vs Self Doubt

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painting birds in watercolor, poza honda ecuador, self doubt, smooth-billed anis ecuador, southern house wren ecuador, watercolor art of ecuador birds

Smooth-billed Ani in Calabash Tree – Poza Honda/Manabi/Ecuador

“… If you can trust yourself when all men doubt you – and make allowance for their doubting too…” from the poem If by Rudyard Kipling (for the complete poem go HERE)

Self doubt can sabotage one’s concentration. How well I remember standing at the free-throw line and hoping that I would not miss the final shot for a Jr.-high basketball game.  Aware of my teammates, of the coach, of offensive/defensive choices if the ball missed the basket, of the next team waiting for the buzzer and warm ups; I also considered the home-town fans and strangers in the packed gym. Would my team win, would we lose, or would we go into overtime? The possibilities provided many distractions for an inexperienced young-teen! * That moment taught me an important life lesson: block out the conflicting variables and focus on the goal.

The same self doubt inflicts the creative process. When I painted the watercolor study of Smooth-billed Anis, I used an ultra-smooth Bristol Board which is very unforgiving. Once applied, the dark pigments required for the Anis could not be lifted without staining(ruining?) the paper.

Smooth-billed Anis – Watercolor in progress (Black and white image)

“The greatest mistake you can make in life is to be continually fearing you will make one.” Elbert Hubbard

Quite social and affectionate with each other, Anis stay in family clusters. Sometimes while foraging they are scattered but remain in sight of one another; they also huddle – and even cuddle – during periods of rest.  The Smooth-billed and the Groove-billed Anis prepared a little slide show introduction:

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Painting just one bird would not illustrate the true behavior of the flock.

The painting advanced one bird at a time, and with each bird – self doubt peered over my shoulder and whispered, “Are you sure you want to add another bird? What if you make a mistake? The painting might be ruined.”

One Bird at a Time

Tags

audubon, birds of ecuador, Lisa Brunetti art, Watercolors of birds

“April 10, 1824. I was introduced to the son of Lucien Bonaparte, nephew of Napoleon, a great ornithologist, I was told. He remained two hours, went out, and returned with two Italian gentlemen, and their comments made me very contented.” That evening he was taken to the Philosophical Academy[32] where the drawings were greatly admired…” –  (from AUDUBON AND HIS JOURNALS – 1897)

Ecuador – The Museo Portoviejo exposition nears the end and presents a new challenge; what will I do with all of these children?!!!!

For a last-minute tour, here’s a slideshow:

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Alas, nature beckons and prompts me to continue, so I observe – and I paint!  Unlike Audubon, I have an advantage of a camera – but with most every study I wish to have a live (or preserved) bird for more-precise reference material.

“July 19th (1824) – Young Harris, God bless him, looked at the drawings I had for sale, and said he would take them all, at my prices. I would have kissed him, but that it is not the custom in this icy city.” (Audubon and His Journals)

The Gift of Sight

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Common Tody Flycatcher, Ecuador Jan 2019, Manabi Province, Watercolors of birds

“After I’d drawn the grasses, I started seeing them. Whereas if you’d just photographed them, you wouldn’t be looking as intently as you do when you are drawing, so it wouldn’t affect you that much.” ― Martin Gayford, A Bigger Message: Conversations with David Hockney

Poza Honda/Manabi/Ecuador — Lluvia! Rain!   The statement, You’d better watch what you wish for, comes to mind when I share that almost daily – or nightly – the rains continue to fall!  Yesterday the nearby stream built enough confidence to roar – a comforting sound to one who lives slightly uphill from it!     A between-rains inspection revealed several fast-growing trees that had sloughed downhill, and a small part of the gravel road showed new erosion.  My camera chip and computer are not on speaking terms, so your imagination is required for the above scene! (Could the most-recent update have caused this new conflict?)

Birds are happy, trees and flowers are happy – and the aroma of the orange blossoms reminded me of a springtime aroma from Mississippi.  What – could – that- be? I wondered, and then grinned.  “Mock Orange.”   Of course that’s why it has that name!

Between rains, I usually take my art bag and spend time near the Common Tody Flycatchers’ nest.  Let’s go down to the water and see what’s happening!

 

Shhhh – artista at work!

Timeout for Nature – and for Art!

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art of ecuador birds, Common Tody Flycatcher, ospreys, poza honda ecuador

“Relatively few people know why an artist acts in this way or that . . . . A peasant who sees me draw an old tree-trunk, and sees me sitting there for an hour, thinks that I have gone made, and of course laughs at me.” (Van Gogh letter to brother Theo)

The Ospreys were calling! How could I ignore their distinct aerial cries? A decision awaited – continue dicing the onion or dash to the window? Trading knife for camera, I dashed to the window!

Orchestrated Timelines?

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Grey-backed Hawk, Museo Portoviejo, Nomadas en Manabi

Museo Portoviejo sponsors and encourages the arts. (Image from 2012)

El Ministerio de Cultura y Patrimonio
a traves del Museo Portoviejo y Archivo Historico
(Portoviejo Ecuador)
Invita a la inauguracion de la exposicion
NOMADAS EN MANABI
Expositores:
Sigrid Tidmore (Estados Unidos)
Alfonso Endara (Quito)
Crystal Hayes (Canada)
Lisa Brunetti (Estados Unidos)
Yuliana Shevchuk (Rusia)
Abigail Herrera (Venezuela)
………
Direccion: Calle Olmedo entre Sucre y Cordova (Edificio la Previsora)
Fecha: Agosto 15 de 2018
Hora: 19h30
(05) 2652235 – 2652279
………………………..
“

“The only reason for time is so that everything doesn’t happen at once. ” – Albert Einstein

When one steps into a gallery or museum, they probably don’t think about the stories behind the paintings. Painting can be hard work, especially when ‘the good brushes’ no longer hold a point, and locally-purchased new ones make poor replacements. It is difficult to ‘nail’ the snippet of light on a bird’s eye or sign one’s name when using a brush that flares at the point! Even one AWOL hair on that brush will leave its renegade signature where it doesn’t belong!  Aside from my friends and family in the USA, I also miss the convenience of buying my favorite art supplies!

Painting for me is easy when compared to the next step of matting and framing those works – and having places to store the paintings. There are no ‘Michaels’ or ‘Fads and Frames’ that offer good quality brushes, paints, mats, ready-made or custom-made frames. The larger cities have better options, but what if those cities are hours and hours away? Over the years I’ve adapted, and now use thin plywood as ‘mats,’ which I sand and paint. Just like selecting custom mats at a frame shop, I usually draw and hand paint those windows; when the paint is dry, the original is carefully taped in place.

Ready to paint that window!

“Tres Toucanes”

Because many panes of glass have broken over the years (ha, and in earthquakes!) I now use very-thick clear plastic, which protects the paintings from dust and fingerprints. The curious public can sometimes damage a drawing or painting by touching it…

Ugh; I often forget to photograph the work until it’s beneath the plastic.!

Frames are made by local carpenters; I dole out the requests a few at a time, and almost always they are ready when promised.